Pure Pigment at your Fingertips: Painting with Pastel
Sharon Fox Cranston
Tuesdays, November 10, 2020 – December 8, 2020
6:30pm – 9:00pm
**This course is now full. Registration requests will be added to our waitlist.
This class celebrates the pastel medium in its application and approaches. Traditional techniques will be the foundation of instruction, colour and light the focus. Discover how to solve problems of composition and colour, create the illusion of depth, and master lost and found edges. Under-painting with acrylic and/or watercolour is explored.
Artist quality pastels produce intense colour with an immediacy that most other mediums can’t match. Demonstrations are designed to give students the tools to develop an understanding of this medium.
Students should bring:
PASTELS: Bring as many of your soft pastels as you can. It’s better to have too many pastels than not enough. Colour range is more important than size of sticks, (no oil pastels). I use an assortment of Schmincke, Sennelier, Unison, Dianne Townsend, Terry Ludwig and Great American. These pastels are very soft and facilitate my technique.
PASTEL PAPER: Bring both white and coloured sanded pastel paper. Your choice for the coloured sheets, a midtone value is best. The white sanded paper needs to be able to take a wet medium for under-painting so any of the following 3 types would be suitable: In white: Wallis, Art Spectrum Colourfix, Clairfontaine Pastelmat. You can buy pads of quality pastel paper in different shades including white. If you are buying large sheets of paper, please cut to either 8”x10” or 9”x12” before the workshop.
MISCELLANEOUS: Neutral coloured (not green or blue) masking tape or bull clips to attach paper to your support board. Drawing pencil, sketchbook/notebook, old bristle brush (½” approx.), a small tray to hold your pastels while you work, (old tin lid, ice cream bucket lid, etc), small watercolour set, gouache or liquid acrylic for under-painting, 1” brush – an old acrylic brush works well – the sanded surface of the paper will destroy regular watercolour brushes! Support board big enough to tape your pastel paper to, a soft scrap of material for wiping pastels, water container and small palette for using with watercolour/acrylic. Bring vinyl gloves if you don’t want to get pastel on your hands.
Deserres sells some good quality pastels and pastel paper. Stay away from student grade pastels; they will not give you the painterly effect that the artist quality pastels do.
Sharon Fox Cranston
Art is an undeniable necessity, an intrinsic element that defines Sharon’s life. From her first Crayola she was hooked, which lead to studying Advertising and Graphic Design at Humber College.
Sharon Fox Cranston is a signature member of the Society of Canadian Artists, the Pastel Society of America, and a Master Pastelist in the Pastel Society of Canada.
For over forty years she has been a multi disciplinary artist who has gained extensive experience painting with acrylic and soft pastel. Sharon’s work has earned her numerous awards, including: the Award of Excellence from the Federation of Canadian Artists Gallery, Vancouver, BC; awards from the Plein Air Festival, Belleville, ON; Juror’s Awards, Art in the County, Picton, ON.
Her early work was illustrative in nature, which enabled her to develop a solid understanding of drawing and composition. Currently, Sharon’s focus is on a loose impressionistic style.
A Colourist at heart, she pushes colour and light to evoke an emotional response and to actively challenge the viewer to interpret the work for him or herself.
Throughout her art career, Sharon has had the opportunity to study under accomplished artists both here and abroad. Having taught for over 12 years, she enjoys sharing the knowledge she has acquired over the years with her students to help them grow within their creative path.
A full time artist and gallery owner for over ten years, this award winning artist’s work can be viewed in Lunenburg at Cranston Gallery.